Afterlife.











The Daughter 8 Dad



71 cm x 96 cm
April  2024
acrylic on canvas











The Ride



91 cm x 122 cm
March 2024
acrylic on canvas




π™΅πš›πš˜πš– πš–πš’ π™³πš’πšŠπš›πš’.

π™΄πšŠπšœπšπšŽπš›πšœ πšπš˜πš› πš–πšŽ πš’πšβ€™πšœ πšπšŠπš’πšπš‘ πš’πš— πšœπš˜πš–πšŽπšπš‘πš’πš—πš 𝙸 πšπšŽπšŽπš• πšœπš’πš—πšŒπšŽ 𝙸 𝚠𝚊𝚜 𝟾. π™Έπšβ€™πšœ 𝚊 πš‹πšŽπš•πš’πšŽπšŸπšŽ πšπš‘πšŠπš 𝙸 πšπš’πš—πš πš–πš’ πšπšŠπšπš‘πšŽπš› πš’πš— πšœπš˜πš–πšŽπš˜πš—πšŽ πšŽπš•πšœπšŽβ€™πšœ 𝚎𝚒𝚎𝚜 πš˜πš—πšŽ 𝚍𝚊𝚒. π™Έπšβ€™πšœ 𝚊 πš‹πšŽπš•πš’πšŽπšŸπšŽ 𝙸 πš πš’πš•πš• πšŠπš πšŠπš”πšŽπš— πš‘πš’πš– πšπš›πš˜πš– πšπšŽπšŠπšπš‘ πšŠπš—πš πšπš‘πšŽ πš’πš—πš—πšŽπš› πšπšŠπš›πš”πš—πšŽπšœπšœ. π™Έπšβ€™πšœ πšπš‘πšŽ πšπšŠπš’πšπš‘ πš’πš— πš–πš’ πšœπšπš›πšŽπš—πšπšπš‘ πšŠπš—πš πš™πšŽπš›πš™πšŽπšπšžπšŠπš• πšπš›πšŠπš’πš—πš’πš—πš πš’πš— πš–πš’ πš™πšŠπš’πš—πšπš’πš—πš πšœπš”πš’πš•πš•πšœ πšπš˜πš› 𝚊 πšœπšŠπš”πšŽ 𝚘𝚏 πšŽπš—πšπš’πš—πš πšπš‘πšŽ πšœπš’πš— 𝚘𝚏 πšπš‘πšŽ πš™πšŠπš’πš—. π™ΏπšŠπš’πš— 𝚘𝚏 πš‹πšŽπš’πš—πš πš”πšŽπš™πš πš’πš—πšπš˜ πšπš‘πšŽ πšπšŠπš›πš”πš—πšŽπšœπšœ 𝚘𝚏 πš•πšŠπšŒπš” πšπš˜πš› 𝚝𝚘𝚘 πš•πš˜πš—πš.

π™±πšžπš πšπš‘πšŽπš›πšŽ πš’πšœ πš˜πš—πšŽ πšŒπš˜πš—πšπš’πšπš’πš˜πš— 𝚘𝚏 πšπš‘πšŠπš, πš˜πš—πšŒπšŽ 𝙸 πšπš’πš—πš πšπš‘πšŽ πš™πš˜πšœπšœπš’πš‹πš•πšŽ πšŒπšŠπš—πšπš’πšπšŠπšπšŽ 𝙸 πš—πšŽπšŽπš 𝚝𝚘 πš‹πšŽ πš›πšŽπšŠπšœπšœπšžπš›πšŽπš πšπš‘πšŠπš πš•πš˜πš˜πš”πš’πš—πš πšœπšπš›πšŠπš’πšπš‘πš πš’πš—πšπš˜ πš‘πš’πšœ 𝚎𝚒𝚎𝚜, 𝙸 πšπš’πš—πš πš πš‘πšŠπš 𝙸 πšŠπš– πš•πš˜πš˜πš”πš’πš—πš πšπš˜πš› – πš™πšžπš›πšŽ πšπšŽπšŠπšπš‘. 𝙸 πš—πšŽπšŽπš 𝚝𝚘 πš‹πšŽ πš›πšŽπšŠπšœπšœπšžπš›πšŽπš πšπš‘πšŠπš πš’πš—πšœπš’πšπšŽ 𝚘𝚏 πšπš‘πš’πšœ πš™πšŽπš›πšœπš˜πš— πšπš‘πšŽπš›πšŽ πš’πšœ πšŽπš–πš™πšπš’πš—πšŽπšœπšœ 𝚜𝚘 πšπšŽπšŽπš™ 𝚊𝚜 πšπš‘πšŽ πš˜πšŒπšŽπšŠπš— 𝚘𝚏 πšžπš—πšπš˜πš›πšπš’πšŸπšŽπš—πšŽπšœπšœ πšœπš’πš—πšŒπšŽ 𝙸 πš•πš˜πšœπš πš–πš’ πšπšŠπšπš‘πšŽπš›. 𝙸 πš—πšŽπšŽπš 𝚝𝚘 πš‹πšŽ πš›πšŽπšŠπšœπšœπšžπš›πšŽπš πšπš‘πšŠπš πšπš‘πš’πšœ πšπšŽπšŠπšπš‘ πš πš’πš•πš• πšπš›πš’ 𝚝𝚘 πšπš’πšπš‘πš πš πš’πšπš‘ πš–πšŽ, πšπšŽπš–πš™πšπš’πš—πš 𝚝𝚘 πšπš’πšŸπš’πš—πš πš’πš—.. πšƒπš‘πš’πšœ πšπšŽπšŠπšπš‘ πš‘πšŠπšœ 𝚊 πš™πš˜πš πšŽπš› πš˜πšŸπšŽπš› πš‘πšŠπšžπš—πšπš’πš—πš πš–πšŽ πš–πš’ πš πš‘πš˜πš•πšŽ πš•πš’πšπšŽ, 𝚜𝚘 πš πš‘πšŠπš 𝙸 πšπšŽπšŒπš’πšπšŽπš πš’πšœ 𝚝𝚘 πšœπšπšŠπš—πš πšœπšπš’πš•πš• πšŠπš—πš πš πšŠπšπšŒπš‘πš’πš—πš πš‘πšŽπš› πšœπšπš›πšŠπš’πšπš‘πš πšπš‘πš›πš˜πšžπšπš‘ πš’πš˜πšžπš› 𝚎𝚒𝚎𝚜.




Homepage

About
Afterlife
Inner Light
Finding Home
Under The Surface
Singularities
Surroundings
London
Exhibitions
Contact





ξ€₯